It’s been ages since we’ve had so much Olympia on our plates. Damn, I’ve missed her.
In Sarah Polley’s Away From Her, she’s a hard-nosed wife of an Alzheimer patient who is in love with Gordon Pinsent’s likewise afflicted wife. She’s gorgeous, sarcastic and a pleasure on screen. But of course, that was a serious drama and we all should expect as much from the entire cast.
But in the less sublime In the Land of Women, she’s a scene stealer. If only the script had lingered a little longer on her character (or any of them, really.) But with Olympia, we could all fill in the blanks about this woman’s life just by the hints she leaves us: the glances that suggest that her apparent paranoia is more well founded than anyone could ever imagine, the inappropriate but entirely truthful outbursts. It was because of her that I managed to sit through that train wreck of a movie.
Hail Olympia!